Milt Jackson (vib); Harry "Sweets" Edison (tr); Eddie "Cleanhead" Vinson (as); Eddie "Lockjaw" Davis (ts); Art Hillery (p); Ray Brown (b); Larance Marable (d)
Recorded on April 14, 1980
I only discovered this album last year. As soon as I heard it, I knew I had to include it in this survey. It's a corker!
During the 70s and 80s, Jackson made a slew of albums for Norman Granz's Pablo label, as both a leader and sideman. What sets this one apart? I think it's a combination of the players and compositions adding up to a satisfying whole. Like many (most?) Pablo releases, this session has a jam-session feel. Often, jam sessions are enjoyable, but they don't necessarily add up to integrated, cohesive listening experience. For whatever reason, this one does.
Along with "Bags," having "Sweets" Edison, "Lockjaw" Davis, and "Cleanhead" Vinson as soloists certainly doesn't hurt their ability to pull off a blues-drenched program like this one. "Cleanhead" seems especially invigorated.
And check out pianist Art Hillery. I was unfamiliar with him until I heard this disc, and I'm very impressed. I understand that he was something of a local jazz hero in Los Angeles. Hearing him on this album, it's not hard to understand why.
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